Vicky ParryIt is so refreshing to see such tantalising characters as this incarnation of Holmes and Watson.
The modernization and implied sociopathy of Benedict Cumberbatch’s Holmes fall nothing short of brilliance; and Moffat’s humorous, incomparable writing offer these well know characters a slightly novel manifestation.
This New Years day episode “A scandal in Belgravia” allured viewers into Holmes lack of emotion by tempting him with a potential “equal”. Irene Adler: portrayed by the insatiable Laura Pulver. She appeals to the often-misanthropic Holmes; this leaves the viewer questioning what exactly is appealing to him?
Her overt eroticism and dominating sexuality are too “obvious” an appeal to Holmes, so is it her mind? The fact she outwits him? Fascinates him? The onscreen analysis Holmes gives upon meeting people appear only as question marks as he meets a nude Adler. He perceives people so graphically as beneath him (a great example is his mortifying treatment of his forensic pathologist Molly) for showing human emotion so surely he can’t be falling for her?
Whatever happens, the relationship is exciting. His cruel intellectualism peaks when he finally exposes Adler as human…. He checks her pulse.
This is, in my opinion, great TV. The achievement of making an apparently inhuman character retain the viewer’s sympathies and affection is tricky at best, yet Moffat nails it.
Martin Freeman’s Watson also deserves a mention. He balances the show with humanity. We are seeing Holmes seep into his unconscious mind more and more as the humble Watson is confusing “normal” social interaction with what he is growing accustomed. However it is Watson’s humanity that Holmes is increasing reliant on. He can use it to his advantage in a cold understanding of humankind.
The second part of the mini-series is on BBC1 next Sunday at half past eight.
If you didn’t watch last night’s episode, click here to watch it on iplayer.
